"As a full time artist and writer, I enjoy experimenting with new substrates and tools and working on projects where I can combine my writing with my visual story-telling.
In my spare time I enjoy transcribing historical documents for the Royal BC Museum as well as the City Of Vancouver Archives.
I love reading and movies, music and Rat Terriers, a hot bath on a cold night and offering up cakey sacrifices to my air conditioner in the summer. I live in Lynn Valley with my husband and dog, in a small house under a tall cedar."Ashton, J, "Indigeneity: Who Decides?" British Columbia History Magazine 55.3 (Fall 2022)
Ashton, J, "Making Good Medicine: An Interview with Beader Valerie Davidson" Digits & Threads: Canadian Fibre & Textile Arts Magazine (June 2022)
Ashton, J, "In the Round" Anglican Journal (September 2022)
Ashton, J, "Kafka's Writing Group" (reprint) Miramichi Flash (Fall 2022)
Ashton, J, "Food for Thought" British Columbia History Magazine 55.2 (Summer 2022)
Ashton, J, "The Dixie Cup Font" Anglican Journal (April 2022)
Ashton, J, "States of Matter" British Columbia History Magazine 55.1 (Spring 2022)
Ashton, J, "Flatland" Worth More Standing Anthology, Ed. Christine Lowther, Caitlin Press (Spring 2022)
Ashton, J, "House of Mirrors" British Columbia History Magazine 54.4 (Winter 2021)
Ashton, J, "Yes, We Remember" British Columbia History Magazine 54.3 (Fall 2021)
Ashton, J, "In The Bentwood Box" (reprint) Healing Across Generations, Living Hyphen Issue 2, Vol 2 (November 2021)
Ashton, J, "I Hear Celestine Cry" ¡HASTINGS! Journal Vol 2 (Summer 2021)
Ashton, J, "Mind the Gap: A Gassy Jack Story" British Columbia History Magazine 54.2 (Summer 2021)
Ashton, J, "The Purser's Dilemma" British Columbia History Magazine 54.1 (Spring 2021)
Ashton, J, "Still" (reprint) WordCity Monthly, Issue #3 (Nov 2020)
Ashton, J, "Kafka's Writing Group" Five South Literary Journal Issue #1, (Fall 2020)
Ashton, J, Lister, A, "Balancing History. Warp, Weft, Weave: Joining Generations Study Guide" (Summer 2020)
Ashton, J, "Warp, Weft, Weave", British Columbia History Magazine (September 2020)
Ashton, J, "People Like Frank and other Stories from the Edge of Normal", Tidewater Press (October, 2020)
Barman, J and Barman, R and Ashton, J, "North Valparaiso" Parallels 02, Polygon Gallery, (Summer 2020)
Ashton, J, "The Bag and I", Funny Pearls UK (Spring, 2020)
Ashton, J, "We", Everyday Fiction (Spring, 2020)
Ashton, J, "Still", NUNUM (Spring, 2020)
Ashton, J, "Flatland", Wordworks, British Columbia's Magazine for Writers (Winter, 2020)
Ashton, J, "The Placement of my Heart", " The Awkwardness of Bill Hayden", The Baram House (February 2020)
Ashton, J, "Cheat", Trampset Literary Journal (Winter, 2019)
Ashton, J, "Jolly Me", "Morning Sky", Auroras & Blossoms Poetry Journal (Issue 2 Winter, 2019)
Ashton, J, "Branches", "Eco Printing on Paper", "Pudge", Auroras & Blossoms Poetry Journal (Issue 1, Fall 2019)
Ashton, J, "Siamelaht", British Columbia History Magazine 52.4 (Winter 2019)
Ashton, J, "On the Importance of a Deadline", Medium (July 2019)
Ashton, J, "Flatland", Fire From The Heart Chapbook, Three Oceans Press (2019)
Ashton, J, "Inside a Ring of Owls", Dreamer's Creative Writing Magazine 2nd Print Anthology (2020)
Ashton, J, "Inside Ring of Owls", Dreamer's Creative Writing Magazine Online (July 2019)
Ashton, J, "The Loving Gift", Emerge 19, Simon Fraser University Literary Journal (October 2019)
Event: Arising - Liberte Conquerante / Growing Freedom. The Instructions of Yoko Ono and the Art of John and Yoko. FONDATION PHI POUR L’ART CONTEMPORAIN, Montreal, Quebec. Contributor, words and art. (April - September 2019)
Ashton, J, "Sad Ashton", DIS(S)ENT, in/Words Magazine and Press Ed George Elliott Clarke and Sanita Fejzic (2018)
Ashton, J, "Inside the Bentwood Box", ROOM Magazine, Family Secrets Issue 41.1 Ed Rachel Thompson (2018)
Ashton, J, Issue 1: "Brownstones", Issue 2: "All The Dreams I've Had About Bears", Issue 3: "A Puddle Of Words For You To Jump In", Issue 4: "Lists". Vancouver Public Library ZINE Collection. (2018)
Ashton, J and A. Cifuentes, "The Lines I Make: Promoting Your Art In The Digital Age, A Primer for New and Emerging Artists", ISBN#9781483561141 (2015)
SoulPancake.com Content Creator and Writer 2011-2016
Ashton, J, "The Tale Of Donkey Otey", ISBN-13: 978-1631927034 (2015)
Ashton, J and Bouzyte, E, "The Great Oak Joke" ISBN-13: 9781483544144 (2014)
Ashton, J, "Mobile Educational Multimedia Studio TechKno Camp Instructor's and Student Manuals and Course Materials", MEMa Studio Annual Internal Publication (2011- 2015)
Ashton, J, "Memoirs of Matti Hopia: 1948–1951", Part 1 Siirtolaisuus – Migration 2/2009 36. vuosikerta / 36th year ISSN 0355-3779 Julkaisija /Publisher Siirtolaisuusinstituutti Migrationsinstitutet The Institute of Migration Eerikinkatu 34, 20100 Turku, Finland. (2009)
Ashton, J, "Memoirs of Matti Hopia: 1948–1951", Part 2 Siirtolaisuus – Migration 3/2009 36. vuosikerta / 36th year ISSN 0355-3779 Julkaisija /Publisher Siirtolaisuusinstituutti Migrationsinstitutet The Institute of Migration Eerikinkatu 34, 20100 Turku, Finland. (2009)
Ashton, J, "Memoirs of Matti Hopia: 1948–1951", Part 3 Siirtolaisuus – Migration 4/2009 36. vuosikerta / 36th year ISSN 0355-3779 Julkaisija /Publisher Siirtolaisuusinstituutti Migrationsinstitutet The Institute of Migration Eerikinkatu 34, 20100 Turku, Finland. (2009)
BC Musicians Magazine 2007 - 2009 Interviews and Features
Gonzo Magazine 2009-2010 Interviews and Features
North By Northeast 2005 - 2010 Interviews and Features
RaveOnStudio.Blogspot.com 2008 - Present, Art & Music Blog
Raveonstudio.com/projects/acid-house-interviews/ (2007-2010)
Ashton, J, "Health and Safety Protocols: Policy and Training Manual", for Cameray Centre Internal Publication (2003)
Gordon, R "Incarcerated Gang Members in British Columbia: A Preliminary Study", A Working Document. Department of Justice, Canada, WD1994-13e (1994)
Ashton, J - "Pulmonary Sarcoidosis Presentation" Medicine North America (1993)
Ashton, J, Guest Columnist - The Courtney/Comox Valley Free Press (1985)
Ashton, J, Poetry and Reviews - The Salmon Arm Observer (1979 - 1984)
Thank you to all of the Elders and my family past and present,
sources and friends who have helped me on my journey.
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I gratefully acknowledge the support of the Canada Council for the Arts